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New York, NY

Follow me on instagram: @lucasstoffel

Luke in Java photo by Lucas / Luke Stoffel

Travel, Paint, Repeat...

For the past 25 years, New York City has been my anchor. But this Iowa-born Catholic school boy has always been eager to find more. So, when the cold January winds blow, I head out on the road to immerse myself in photography, painting, and to seek a spiritual connection that binds us all together.


My experiences traveling this worlds well worn roads have been my greatest teachers, imparting lessons about life, compassion, and the pure joy of connecting with new people and cultures. The inspiration I've found in this vibrant part of the world is beyond measure, and I'm eagerly hopeful for more opportunities to explore and leave behind a positive impact on this earth.


In my journeys, I've always aimed to give back. In Laos, I volunteered to teach English and worked to raise money for a small after-school program at Sunrise Classroom. In Myanmar, I met Tun Tun, a young artist who sold his paintings and offered local tours to make ends meet. Using my social media expertise, I created an Instagram account for him, @lovebagan, to attract fellow travelers. I deployed internet bots targeting millennials traveling Southeast Asia to boost his online presence. Thanks to this increased traffic, he was not only able to start his own small travel agency, but years later, I learned he had become a certified government tour guide—a transformation that significantly improved his family's life.


And so, travel and my creative spirit have really become inseparable for me, especially after setting foot in over 35 countries. My guiding thought? If I'm traveling somewhere, I want to grow from the experience. I've dropped everything to spend a year in Hawai'i learning to surf. It wasn't always smooth sailing, but between the waves, I found my way onto the pages of Hawaiian Airlines Magazine as a contributing photographer. Then, one time, I spent three months in Taiwan helping my sister set up her new home. The country's traditions were captivating to me. So much so that the time there inspired an NYC Art Exhibition I called "Made in Taiwan," focused on the beauties of how the landscape weaves together the spirituality of Buddhism and Taoism. A few years later, I found myself looking for peace in the Philippines, diving deep — quite literally. I spent two months, faced my fears, and transformed from a newbie to an advanced scuba diver, diving the WWII shipwrecks of Palawan.


These journeys of exploration has shaped me into a passionate traveler and artist, instilling a deep appreciation for the beauty and diversity that the world has to offer.


Luke Stoffel: Growing up in Iowa

I grew up in Dubuque, Iowa, in a big family with five siblings. We all went to Catholic school, and my dad worked on the assembly line, building tractors at John Deere. Our lifestyle was pretty much straight out of "Leave it to Beaver." Except I was gay... and being gay in Iowa was no picnic; the hardships I endured growing up only made me realize that leaving was probably the only road to happiness. Heading off to college did make life a little easier. I spent four years studying graphic design and forming valuable, lifelong friendships on and offstage in the theatre department. And when those connections made the big leap to New York City, I followed them right out the door!


Starting out in the bustling streets of the greatest city in the world, I found my footing with those Iowa State classmates off-Broadway with an off-color, underground hit show called "Urinetown." What was my role? Assistant House Manager. My illustrious duties spanned from serving beer to scrubbing toilets. It may not sound grand, but I was fortunate to have incredible bosses who saw my hard work, and invested in me. When the show transitioned to Broadway, I was right there with it. For five years, I played the role of the unsung backstage hero for the cast and crew. True, my "office" was a broom closet, but it was on Broadway after all. Amidst the dazzle and drama, I was also plotting my next adventure. I buckeled down between shows watching classic Disney movies in French. You see since high school, I had dreamt of finding love on the streets of Paris. So as I worked with Mickey on mastering "le français" with more than a passing grade, I packed my bags with passion and courage, said my goodbyes to "Urinetown," and jetted off to Paris. My mission for the ensuing six months? Immersing myself in the essence of French culture and language.


Luke in Central Park photo by Lucas / Luke Stoffel

As it turned out Paris had this magical effect on me - it awakened my inner artist. My passion for painting collided head-on with my love for travel photography. In 2005, I had my first art show, and fast forward to 2012, I even snagged the Starving Artist Award for a series of paintings titled "iCon" that explored the unique dissonance of the world in juxtaposition with American consumerism.


How does all this translates into my Art?

I draw my deepest inspiration from the awe-inspiring beauty of this world, especially when that merges with our devotion to the unknown. In those rituals, songs, and dances where we as a people have crafted god, I find color, joy, and a deep fascination with our human spirit. Through my art, I'm on a journey to explore and convey these cultural interpretations of spirituality and bring all of our unique traditions to a wider audience.

Little Japan Art Exhibition by Lucas / Luke Stoffel

My artistic style is a fusion, mixing hand-painted contemporary aesthetics with the iconic screen-printed vibes of Pop Art legends like Lichtenstein and Warhol. What you'll see in my work are visually arresting pieces, with vibrant colors, dynamic compositions, and clean lines, often on pretty big canvases. It all starts with photography, which I use as my canvas, and then I take those images through a digital journey of transformation before bringing them to life with acrylic paints.


But at the core of my artistic mission: I want to break down the walls between diverse belief systems and promote inclusivity. The first time I went to Asia, I wasn't aware there was anything beyond Jesus and Mary, but Bangkok opened my eyes to a new world of buddhas and golden temples. This is why I translate the intricate narratives of various religions into accessible, relatable forms, hoping to prompt viewers to reconsider their perspectives on spirituality. In my own way, I'm trying to bridge cultural and religious divides, all in the name of understanding and unity.


Luke celebrating Holi in Nepal photo by Lucas / Luke Stoffel

My journey as an artist has been quite the ride, from the Starving Artist Award to taking part in the amFar Rocks Benefit for AIDS research, where my work took center stage. You can catch my art at some pretty cool spots in New York City, like the Art Directors Club, The Prince George Gallery, GalleryBar, and New World Stages. Through my time on this earth, I'm on a mission to spark beauty, unity, and a deeper appreciation of the common threads that connect us all, no matter our diverse beliefs.


Follow me: @lucasstoffel on Instagram


Lucas Stoffel is an award-winning painter recognized by GLAAD as one of the top LGBTQ+ artists in NYC. He was featured by amFar at a benefit event for AIDS research. Stoffel’s artistic contributions earned him the Starving Artist Award, and he was showcased at AM New York’s Premiere Art Rocks event. His success extended to being featured on the cover of Next Magazine, expanding his reach and attracting a new following. Notably, Stoffel caught the attention of Ralph Lauren's daughter, who commissioned him to create a confection-inspired collection for her UES side candy shop, Dylan's Candy Bar.


South East Asia:


 

Stoffel's captivating artwork has graced the halls of esteemed venues across New York City, including the Puck Building, The Art Directors Club, The Prince George Gallery, GalleryBar, and New World Stages, among others, further cementing his position as a revered artist in the city's vibrant art scene.


Kyoto Butterfly Garden:

The allure of Kyoto's Gion district became a unique and mysterious fascination for me as a photographer. Gion holds fame as one of the country's oldest and most renowned geisha districts. Every evening at dusk, I would position myself on a side street, hoping to capture the mesmerizing sight of these elegant women gracefully darting about like butterflies, moving from one place to another. Patiently waiting in the shadows, I aimed to capture the beauty of their kimonos and striking faces through my camera lens.



The presence of geishas in Gion traces back to ancient times when the district flourished as an entertainment hub and a center for cultural activities. Geishas played an integral role in entertaining guests at high-class teahouses, parties, and banquets, showcasing their talents through dances, musical performances, and refined conversations, enriching the events with their artistry and grace.


Honolulu Festival:


Mount Meru: Kashmir India

To Hindus, Mount Meru is believed to be located at the center of the cosmos and serves as the abode of gods and celestial beings. They often describe it as a vast cosmic mountain. The mountain is said to be so tall that it reaches the heavens and so deep that it extends deep into the netherworld. According to some legends, Mount Meru was created by the gods to serve as a pivot point, around which the sun, moon, planets, and stars revolve. It is also depicted as the dwelling place of various deities, including Lord Brahma, the creator of the universe, and other divine beings.



Made in Taiwan:

Taiwan is deeply spiritual and profoundly superstitious. Here, belief systems intertwine with folklore, ghosts, and ancestry. This becomes apparent when walking through the streets, where the scent of burning paper wafts through the air as locals offer paper money at temples to honor their ancestors. My project delves into Taiwan's rich heritage, including its religious symbols like Taoist temples adorned with intricate dragons, colossal Tao statues, and omnipresent Buddhas.



Made in Taiwan also explores the fading art of opera performed in hidden alleyways, the remnants of a once-mighty military state, and the aspirations for a brighter future for the younger generation, symbolized by English cram school signs. All of this unfolds against the backdrop of an ever-present street sign, a symbol of tradition in the midst of the country's transition towards a more Western way of life.


Currently working on more to come...


Writer's pictureLuke Stoffel

What Andy Warhol Did for Pop Culture, I Aim to Do for Religion


What Andy Warhol did for American pop culture, I have been striving to do for religion—particularly the symbols and iconography of Eastern traditions. Warhol redefined how we engage with the mundane by transforming everyday objects into works of art. His vision diluted the grandiosity of American exceptionalism, presenting icons of consumerism like Campbell’s soup cans and Coca-Cola bottles as universal symbols. These weren’t merely commercial items; they became cultural artifacts, accessible to everyone, regardless of class or background. His genius lay in reframing the familiar, creating a bridge between art and popular culture that reshaped global aesthetics.


In a similar vein, my work seeks to reinterpret religious iconography—primarily from Eastern traditions like Taoism, Buddhism, and Hinduism—through a lens that resonates with American culture. I aim to elevate the sacred symbols of these traditions into tactile, visual experiences that Western audiences can engage with and understand. By blending spirituality with the vibrant, accessible style of pop art, I hope to bridge cultural gaps and spark new conversations about faith, interconnectedness, and the universality of the human experience.



Reframing Faith Through Pop Art


Religion often feels distant or untouchable in art, steeped in tradition and ritual that can alienate those outside of its immediate cultural context. My approach is to reimagine these symbols in a way that strips away some of their mystique without diminishing their profundity. For example, by portraying Hindu gods or Buddhist mandalas in bold, commercialized forms, I aim to make them feel both sacred and accessible—bridging the gap between reverence and familiarity.


Pop art has always been about accessibility, taking what is common and giving it new life. In this way, my work echoes Warhol’s ethos: to create art that speaks not only to insiders but to anyone willing to engage with it. However, where Warhol critiqued consumerism and American values, my focus is on global spirituality—connecting audiences to traditions they may never have encountered and inviting them to see the shared humanity within them.




Elevating Spirituality for a Global Audience


The heart of my work lies in elevating global spirituality into a visual language that transcends borders. In today’s world, where cultural exchange happens at the speed of a swipe, art can serve as a powerful bridge between disparate traditions. By transforming the symbols of faith into something visually engaging and rooted in pop culture aesthetics, I want to challenge the perception that spirituality belongs to specific cultures or groups.


This doesn’t mean diluting the meaning of these symbols; rather, it means reframing them so they can resonate with audiences unfamiliar with their original context. For instance, my Made in Taiwan series juxtaposed Eastern religious iconography with commercial pop art to highlight the intersection of consumerism and spirituality. The goal wasn’t to critique but to connect—to show how these traditions can coexist and adapt in a globalized world.




The Personal Connection


My work is deeply personal. While my Catholic upbringing forms the foundation of my spiritual understanding, my travels through Asia have profoundly shaped my view of faith and art. The sacred spaces I’ve encountered, from Taoist temples to Buddhist monasteries, have enriched my perspective and allowed me to see the common morality that binds all faiths. This fusion of personal experience and artistic exploration drives my work, making it both a reflection of my journey and an invitation for others to embark on their own.



Where Pop Art Meets the Sacred


At its core, my work asks a simple question: Can the sacred be made accessible without losing its essence? By drawing on the bold, vibrant tactics of pop art, I believe the answer is yes. Just as Warhol reframed everyday objects into cultural icons, I aim to elevate religious symbols into modern, universal touchpoints. The goal isn’t to reduce these symbols to consumer items but to present them in a way that invites curiosity, dialogue, and perhaps even reverence from a new audience.


Ultimately, my work is about connection—connecting people to art, to faith, and to each other. In a world increasingly defined by division, I believe art has the power to remind us of the shared humanity that lies beneath the surface of all our traditions.


Does this expanded essay capture your vision? Let me know if there are areas you’d like to elaborate on further, or if you’d like examples from your portfolio woven in for depth!

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